Back when Target was still DEI-cool, I bought myself this head planter. I never quite had the right plant to put in it though, and I decided to use it as a vase instead. I especially like the way the flowers come out the the head and look almost like hair, or a fancy hat.
I buy myself flowers. All the time. I buy them at least twice a month, depending on how long they last. I admit to really loving them and not wanting to throw them away or compost them until they’re really spent. Today I went into my local Vons (I usually get pretty and inexpensive flowers from Trader Joe’s, but they had nothing interesting a few days ago when I stopped in for half and half.), and found these cool tie-dyed roses. I thought they were perfect for celebrating Pride. I’m straight and cis, and a very much in support of Pride, and trans rights, and gay marriage, and all that good stuff. And I love flowers, and fun, colorful, or heavily-scented , off-beat, exotic, just about any kind. (Except geraniums, but that’s a post for another day!)
I just thought these were so pretty and uplifting.
My mother has always considered flowers a waste of money, which seems too sad to me. This bunch of roses and the yellow “filler” cost me ten dollars. That means I’m spending around about 20 bucks a month for a little hit of joy every time I walk into my perpetually untidy kitchen.
Get yourself some flowers and enjoy the color. This is your one life: make it beautiful. Don’t wait for someone else to do it.
I have been taking photos of myself in clothes (lucky for us all! Not naked!) because I love clothes, and I figured I could be brave enough to share that side of myself which you would not know unless you knew me in person.
I also snap a lot of photos of pets, flowers, and, when she lets me, my kid, so the phone gets pretty full. I finally got around to downloading a bunch, and here, for my second (?) clothes post is what I wore back in March to the Atlanta Writer’s conference. It’s a Lucy and Yak Ragan, and my, what are they? Snake? Leopard? I think snake, boots. and some sory of cropped black sweater.
Having been a fat woman for most of my adult life, I often go black in professional situations because it feels safer, cleaner, slimmer. This L&Y Ragan is a USA size 10, as an FYI, so I think I’m down in average size for that, not plus, but I still see me as large, too large, and probably always will.
It was a wonderful day, though, as I had someone come sit at my table with me:
The moment I met Emilie I was in big-time girl love. LOL. Emilie and I are in the same age range, and that’s all anyone needs to know abut that, and she is a person who, the moment we saw each other in person, I felt like I’d known forever. So, even though we’d worked together for many months, to meet her and just hang out was so much fun. Honestly, and I know this is going to sound really dorky to say, but when I work on a book with an author I get really attached to the book, well, because usually I had to likethe book a lot to begin with to want t publish it, and then, because I am a gigantic super-nerd, I am very very excited when I get to meet the author in person. I didn’t ask Emilie for her autograph on her book, but I wanted to. I was really sorry to leave Atlanta. I wished I could have hung out the rest of the week with Emilie. Does anyone else out there feel like there’s never enough time for connection and just fun? Back on the plane, and, that week, home to a huge amount of chaos as an exchange student had come while I was in Atlanta, and the exchange student was a delight, but she was only staying for a week, and it happened to be the same week (the school, IMHO, arranged it badly) the kids the vsiting students were staying with all had all their midterm stuff due, and my chronically procrastinating child was losing her mind when I arrived back in the house, much to the chagrin of the poor the exchange student. So Mom was on immediate duty, and, oh, how I thought back fondly on hanging out with Emilie. Being a mom to my daughter is one of the best joys in my life, but it is not lost on me that when you become a spouse, and then a parent, you are giving up most of your allowance of fun. So you have to get it in where you can. I would love to escape to Atlanta with Emilie again, or anywhere. She felt like a lifelong friend right away, and she’s also an interesting and talented author.
And, I veered a bit off of my outfit, but, what can I say? I’m a veerer.
It’s getting dark outside as I write this, and I have the door open. We live one block off of the restaurant street, and sometimes, like tonight, there are people who are rambunctious in the street. I’ve heard yelling, some fireworks, sirens, dogs barking. Everyone wants to be seen, to matter, to have some attention, and we get squeezed too thin sometimes, and we get loud, when we get a chance to have some fun, to loosen up the reigns. Everyone is guilty of some loud times, but the breeze and the temperature are too nice to allow a little noise to make me close the door. Whever you are, I hope it’s a nice, if slightly loud, spring evening. Sleep tight.
Have you thought about having an edit on your writing project? You can have it on a full book, or a short story/memoir, or even a poem.
What’s the benefit?
A second pair of eyes.
A dialogue with an experienced editor who is focused on your work, and what you want your work to achieve.
One-on-one interaction.
A live Zoom discussion.
And lots more!
What’s an edit look like?
Kinda like this, though every book is different:
crisp clear notes to show you why I am suggesting what I am suggesting, and collaboration that suits you.
How much does an edit cost?
As a member of ACES and the EFA, I edit based on the standard scale. That means I charge a per-word fee. This is because words can be cut during editing, and words can be added, but the price is based on the original word count. Some editors charge an hourly fee, but I don’t do that, because what if I read much faster than another editor? The other editor is going to present you with a much higher bill, and you’re going to pay for that person’s lack of experience and speed. Word count is much fairer to you, the author. The EFA recommends three to four cents/word, and I charge three cents. For that three cents I will do a combined edit: developmental, line/copy, and proofreading. I’m a registered business in Los Angeles, California, and I give you a contract, so you know what you’re getting, and when you’re getting it. I also offer a free query letter if you’re going to send your work out to agents and publishers. If you decide in the future that you want to publish with Current Words Publishing, I hold a spot for you for two years (no obligation) and do not require a second edit. If you choose to self-publish you can hit us up for any tasks you need help with, like formatting the manuscript. Sometimes authors choose to do a small piece at a time, depending on what they have time and budget for. I’m open to what works best for you. As an example, a 50,000-word piece would cost $1500, and take one week for me to complete, but would include free Zoom meetings and a free query letter, and help and suggestions on how to start promoting yourself as an author.
What makes me the best editor you can hire is that I am so experienced. I have spent over 25 years working with new authors of fiction and non-fiction in many colleges on both coasts. I published an award-winning student literary magazine at UMES for four years. As an editor I have worked on a lot of mystery, horror, dystopian, speculative, fantasy, magical realism, women’s, LGBTQ+, erotic, memoir, and short story collections, including the celebrated Echoes from the Hocker House. I studied under Juan Felipe Herrera, Syd Lea, Luanne Smith, Betsy Scholl, and Christopher Buckley, to name a few. I ran a very successful workshop that met bi-monthly for seven years. I run a poetry coop, and a literary magazine, and I have curated, edited and created many anthologies of horror, mystery, and literary fiction. I have also been a guest editor at literary conferences including the Atlanta Writers’ Conference. I’ll be at the self-publishing conference in Atlanta this spring, where Current Words Publishing is one of the sponsors. There are so many things an experienced editor can do that most “editors” can’t. You have to be choosy. And going with one of the large “we have editors” sites really hamstrings you, because those editors are not allowed to become a part of your literary life. They’re only allowed to do the job and move on. I am not like that. I invest in the authors I work with for the long haul.
The new year is just around the corner. January is already filled for me, but I am open to your project any time after January 31st, as needed. Depending on what you need I can turn around a full novel in as little as a few weeks. Some folks just like to have me edit their new work, a short story or a chapter in the novel, as they finish it. I am very open to a collaboration that suits you.
And, once the year is over, it’s over, and we, much to our frustration, cannot go back. So maybe what you need in 2025 is that push, that meeting, that obligation to send something to someone who is going to interact with it, and you. Let’s make 2025 the year that your book or collection becomes a reality. If you’re interested email: dianne@currentwords.com, or choose a meeting time that suits you.
Here’s to a happy, healthy, and literary new year!
Book awards, book awards, do I want thee, book awards? Let’s take a look at three possible book awards. Next Generation Indie Book Awards offers cash prizes and seals for winners and finalists, which can enhance a book’s cover and validate it for readers. Their current promotion allows authors to enter one category and get another free. Popular categories include “first novel” or “horror,” but avoid “general fiction,” as it tends to be overcrowded. Here are the categories that you can choose from for this award.
Other awards to consider include the Eric Hoffer Award (currently discounted by $15): Registration link. Information link. The National Federation of Press Women (NFPW) contest, which often sees fewer fiction entries, is open to all genders, despite its name, and early entry costs less. Entry Link.
Awards are a personal choice—some authors value the credibility they bring, while others prefer to avoid the cost. If you publish with my publishing company, Current Words Publishing (CWP), your book will stand out due to professional editing, formatting, and design, improving your chances of success. Plus, we can add any award seals to your book cover at any time.
Why do awards charge fees? Running contests involves hiring judges, administrators, and PR teams, much like publishing requires professional services. At CWP, we offer high-quality editing, production, and promotional support. Publishing is an investment, and a successful writing career is built over time, not on one book.
I spent a transformative hour this morning in the Bewilderness with poet Ellis Elliott. I signed up for her course and spent an hour with a group of other authors as we put the rubber on the road and wrote in response to two poems Ellis shared with us. I struggle with giving my own writing practice the time and respect it deserves, so it took a lot of hemming and hawing for me to allow myself to spend this money on myself/my writing, to register, and think I was even three minutes late, as I found other things that definitely needed to be done right away before I joined the class. During the session, which lasted the perfect amount of time, IMHO, we each came up with two pieces. They were remarkably different, and some (mine, I’m going to say) were less polished than others, which was fine, because polish isn’t the point. What is the point is going barefoot in the grass, or, in my case, the mud. Getting in there and feeling it is the point, and getting it down on the stubbornly Teflon pages I always seem to have… Why won’t my writing stick there? Well’p, it stuck today. And, guess what: no one says a peep about anyone else’s writing, so it is 100% a safe space where you create, and off you go into your own ether, unmolested by critique.
Dianne Pearce Writes 