
IT SHOULD BE LIKE A HALF AN HOUR VOLUME 14: I’M IN YOU
I cannot believe how long it has been since I last did one of these posts.
Well, I’m back baby.
Again.
Listen, let this be a bit of information for all you scribblers of any sorts, you can always go back to it. You are the rules, so hop back in.
I got the vinyl going today, sitting at my desk with the front door open to let in the Los Angeles version of chilly weather. It’s delightful.
I rearranged my “office” a few weeks ago, and now the record player is right up against my desk. Let me get you a photo:

Oh, mama, lookie who is there, just looking at me. He’s positively smoldering at the sight of me! I honestly don’t know if I’m worthy. But he seems to think so.
I’m In You, the album you see there, is a very underrated album. First of all, 1970s albums that are less hard-rock, but still rock, have that sort of high-pitched, lightly plucked sound that I think of sort of orginating with Jefferson Airplane, like “Love, Lovely Love.” It comes across as a spring sound to my ears. So if you think of The Beach Boys and etc. as the sound of summer, Frampton could win for sound of spring, because he does that soft, twang guitar and laid back sound I just love. I grew up in Philly, where I always think the best season is spring, because it’s cool but not humid. Fall can be too hot and humid even as the leaves change, or freezing cold, but spring is delightful, and, I think, from the 70s to now, has probably shortened by a month or so as summer heats up sooner each year, in my anecdotal experience. If you’re lucky enough to live in Los Angeles you are luck to have that humidty-free, winter-is-not-here-to-stay feeling from, typically, November through July. July, August, and September, unless you’re on the Westside, you’re going to want to be indoors and as naked as possible, but the rest of the year you can float along on this light jacket daytime weather that turns to sweater weather at night, and it’s fantastic. IT makes me get a feeling in my skin that I’m young, that life is full of possibility, that the air smells of flowers. It makes me come alive. Like Frampton.
For this post I want to highlight not a single song per se, but the whole of I’m In You. The album has the gentle vibe of spring weather, full of possibility, but also chill. I want to highlight a song that really hasn’t ever gotten the attention it deserves: “St. Thomas (Don’t You Know How I Feel).”
I could argue that Frampton, who wrote “Do You Feel Like I Feel,” was a bit obsessed with the word feel, because he uses it at least 14 times in this song, but that just makes this song easier to sing along to. The point is not the lyrics. The point is the vibe. This song is a feeling more than a message. There’s a fantastic solo in the middle. And Frampton is a great guitar player. It’s a gentle rocking of a song. Take a listen and see if it doesn’t make you think of spring.
Did your blood pressure just drop five points? You know it did.
Of course, we cannot go forward without mentioning the title track. “I’m In You.”
“I don’t care where I go when I’m with you
When I cry you don’t laugh cause you know me
I’m in you
You’re in me
You gave me the love, the love that I never had
You and I don’t pretend; we make love
I can’t feel anymore than I’m singing”
And what I always just loved about this song, aside from the idea of me and Frampton being in each other, was the opening line, “I don’t care where I go when I’m with you,” that also ends the song, but I’m gonna make the guess that the final word of the song is “with” and the “you” is not sung, but played by the guitar, which is super cool, and makes it more emotional. It ends on that high note. Frampton seems to be merging the physical with the sound. It’s working for me:
Those 70s guys, damn:
How great was that? So chill.
I have to point out one more song on the album that I have never been able to get enough of, “Signed Sealed and Delivered.”
It’s a Stevie Wodner song, in case you didn’t know, and I am a huge Stevie fan from his 60s and 70s catalogue, and I love this song by Stevie, but I also loved the cover by Frampton. (By the way, my last “it should be half an hour” post was on the Red Hot Chili Peppers who also covered Steve beautifully: “Higher Ground.”)
But, back to Frampton:
I saw this comment on YouTube:
Peter Frampton’s 1977 – “Signed, Sealed, Delivered … I’m Yours” – on his album I’m in You. His version also contains instrumental elements from Wonder’s hit “For Once in My Life” Mick Jagger is featured on backing vocals. Frampton’s version was released as a single. Motown Soul delivered from England’s Peter Frampton. With this re-make of the Classic Stevie Wonder Hit, Frampton topped The Billboard “Hot 100” at #18, and #13 on the Cashbox Top 100, also #13 in Canada.
So, today, as I enjoy the “Punxsutawney Phil Was Wrong” feel of the great Los Angeles weather, I want to offer you the thought to give Frampton a listen. You think The Beach Boys own that nice-weather vibe, but spring is better than summer any day, and Frampton is a great ride you may have missed.
Check out his Tiny Desk concert too:
I don’t know Frampton, but his whole vibe is “gentle soul,” and I love that about him.
Enjoy….
Tired of Paying More for Less on Reedsy?
Did you know that hiring an editor through Reedsy locks you into their platform? You can’t communicate with your editor outside their system, and on top of that, you pay extra fees—while your editor also gets charged from your payment. That’s right—double-dipping at its finest.
But writing thrives on genuine collaboration, not platform restrictions.
That’s why I’m offering a FREE professional edit—so you can experience firsthand what it’s like to work with an editor who’s focused on you, not a platform’s bottom line.
✔ One short story (up to 12 pages)
✔ A chapter (up to 12 pages)
✔ Up to five poems
No strings. No hidden costs. Just real, high-quality feedback to elevate your writing.
As a member of IBPA, EFA, and ACES, I bring industry expertise and a commitment to excellence. In the past year alone, I’ve edited over 75 books and short story collections—and published many of them.
📅 Pick a time that works for you—any date, any schedule.
🔎 Check out just a teensy bit of my portfolio and see the results for yourself.

Let’s get your writing polished—without the unnecessary fees.


New Post Up at Authors Electric

Check it out. And all the other great posts at AUTHORS ELECTRIC.
Affordable Book Editing: Transform Your Manuscript

Have you thought about having an edit on your writing project? You can have it on a full book, or a short story/memoir, or even a poem.
What’s the benefit?
- A second pair of eyes.
- A dialogue with an experienced editor who is focused on your work, and what you want your work to achieve.
- One-on-one interaction.
- A live Zoom discussion.
- And lots more!
What’s an edit look like?
Kinda like this, though every book is different:

crisp clear notes to show you why I am suggesting what I am suggesting, and collaboration that suits you.
How much does an edit cost?
As a member of ACES and the EFA, I edit based on the standard scale. That means I charge a per-word fee. This is because words can be cut during editing, and words can be added, but the price is based on the original word count. Some editors charge an hourly fee, but I don’t do that, because what if I read much faster than another editor? The other editor is going to present you with a much higher bill, and you’re going to pay for that person’s lack of experience and speed. Word count is much fairer to you, the author. The EFA recommends three to four cents/word, and I charge three cents. For that three cents I will do a combined edit: developmental, line/copy, and proofreading. I’m a registered business in Los Angeles, California, and I give you a contract, so you know what you’re getting, and when you’re getting it. I also offer a free query letter if you’re going to send your work out to agents and publishers. If you decide in the future that you want to publish with Current Words Publishing, I hold a spot for you for two years (no obligation) and do not require a second edit. If you choose to self-publish you can hit us up for any tasks you need help with, like formatting the manuscript. Sometimes authors choose to do a small piece at a time, depending on what they have time and budget for. I’m open to what works best for you. As an example, a 50,000-word piece would cost $1500, and take one week for me to complete, but would include free Zoom meetings and a free query letter, and help and suggestions on how to start promoting yourself as an author.
What makes me the best editor you can hire is that I am so experienced. I have spent over 25 years working with new authors of fiction and non-fiction in many colleges on both coasts. I published an award-winning student literary magazine at UMES for four years. As an editor I have worked on a lot of mystery, horror, dystopian, speculative, fantasy, magical realism, women’s, LGBTQ+, erotic, memoir, and short story collections, including the celebrated Echoes from the Hocker House. I studied under Juan Felipe Herrera, Syd Lea, Luanne Smith, Betsy Scholl, and Christopher Buckley, to name a few. I ran a very successful workshop that met bi-monthly for seven years. I run a poetry coop, and a literary magazine, and I have curated, edited and created many anthologies of horror, mystery, and literary fiction. I have also been a guest editor at literary conferences including the Atlanta Writers’ Conference. I’ll be at the self-publishing conference in Atlanta this spring, where Current Words Publishing is one of the sponsors. There are so many things an experienced editor can do that most “editors” can’t. You have to be choosy. And going with one of the large “we have editors” sites really hamstrings you, because those editors are not allowed to become a part of your literary life. They’re only allowed to do the job and move on. I am not like that. I invest in the authors I work with for the long haul.
The new year is just around the corner. January is already filled for me, but I am open to your project any time after January 31st, as needed. Depending on what you need I can turn around a full novel in as little as a few weeks. Some folks just like to have me edit their new work, a short story or a chapter in the novel, as they finish it. I am very open to a collaboration that suits you.
And, once the year is over, it’s over, and we, much to our frustration, cannot go back. So maybe what you need in 2025 is that push, that meeting, that obligation to send something to someone who is going to interact with it, and you. Let’s make 2025 the year that your book or collection becomes a reality. If you’re interested email: dianne@currentwords.com, or choose a meeting time that suits you.
Here’s to a happy, healthy, and literary new year!
Dianne

To Book Award, or Not to Book Award?

Book awards, book awards, do I want thee, book awards?
Let’s take a look at three possible book awards.
Next Generation Indie Book Awards offers cash prizes and seals for winners and finalists, which can enhance a book’s cover and validate it for readers. Their current promotion allows authors to enter one category and get another free. Popular categories include “first novel” or “horror,” but avoid “general fiction,” as it tends to be overcrowded. Here are the categories that you can choose from for this award.
What do seals look like on a book cover? See ECHOES FROM THE HOCKER HOUSE.
Other awards to consider include the Eric Hoffer Award (currently discounted by $15):
Registration link. Information link.
The National Federation of Press Women (NFPW) contest, which often sees fewer fiction entries, is open to all genders, despite its name, and early entry costs less. Entry Link.
Awards are a personal choice—some authors value the credibility they bring, while others prefer to avoid the cost. If you publish with my publishing company, Current Words Publishing (CWP), your book will stand out due to professional editing, formatting, and design, improving your chances of success. Plus, we can add any award seals to your book cover at any time.
Why do awards charge fees? Running contests involves hiring judges, administrators, and PR teams, much like publishing requires professional services. At CWP, we offer high-quality editing, production, and promotional support. Publishing is an investment, and a successful writing career is built over time, not on one book.
If your book is in production for 2025, aim to have it available by July to maximize award eligibility. If you’re considering publishing with us, we offer free sample edits and meet-and-greet sessions to demonstrate the value we provide. Some awards are closed to authors who self-publish, which is another benefit of publishing with me and Current Words.
Ready to pursue an award? Let my company help you showcase your success.
Happy Black Friday—enjoy those leftovers! I know I’m enjoying mine!
Dianne
Givin’ Away Stuff @ Old Scratch Press

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WHAT HAPPENS TO SNOWFLAKES IN THE SOUTH?
IN TODAY’S INCREDIBLY EXCITING REEL

I discuss book reviews and get interrupted by a dog, a mailman, and a low battery warning. You don’t want to miss it!
New Post Up!

Check it out at the wonderful Authors Electric!

