IT SHOULD BE LIKE A HALF AN HOUR VOLUME 6

“The Low Spark of High Heeled Boys” (by Traffic).

The thing I see, whenever I look this song up, is “What is that song about?”

Well, let’s look at it. I feel like I always got it, but here’s the lyrics to help:

If you see something that looks like a star
And it’s shooting up out of the ground
And your head is spinning from a loud guitar
And you just can’t escape from the sound
Don’t worry too much, it’ll happen to you
We were children once, playing with toys

And that thing that you’re hearing is only the sound of
The low spark of high-heeled boys

The percentage you’re paying is too high priced
While you’re living beyond all your means
And the man in the suit has just bought a new car
From the profit he’s made on your dreams
But today you just read that the man was shot dead
By a gun that didn’t make any noise
But it wasn’t the bullet that laid him to rest, was
The low spark of high-heeled boys

If you had just a minute to breathe
And they granted you one final wish

Would you ask for something like another chance
Or something sim’lar as this
Don’t worry too much It’ll happen to you
As sure as your sorrows are joys

And the thing that disturbs you is only the sound of
The low spark of high-heeled boys

The percentage you’re paying is too high priced
While you’re living beyond all your means

And the man in the suit has just bought a new car
From the profit he’s made on your dreams
But today you just read that the man was shot dead
By a gun that didn’t make any noise
But it wasn’t the bullet that laid him to rest, was
The low spark of high-heeled boys (high heeled boys)

If I gave you everything that I owned
And asked for nothing in return
Would you do the same for me as I would for you
Or take me for a ride
And strip me of everything, including my pride
But spirit is something that no one destroys

And the thing that disturbs you is only the sound of
The low spark of high-heeled boys

So, what is that about?

I always thought this: Boys (men), in the 1960s and 70s, were openly playing with fashion and gender in a way they never had before, and some of them had long hair and high heels on their boots, and those in bands were being robbed blind (often) by their record companies(the percentage you’re paying is too high) and that, eventually, those bad, judgmental greedy men in suits who buy themselves cars from profits made from the creativity and dreams of the boys are going to be laid low by the spark of genius in these young gender-bending (read as “free”) boys.

There you go. Wasn’t that easy?

And the last verse is just asking lovers and friends to be kind to each other.

This song is about 1/3 of my desired length, much more than the others I have put in this series. Yay! Traffic!

I believe this song can be classified as a fugue.

I think it is absolutely delicious in the way that, rarely, booze of some sort can be delicious. I once had a lychee sake that was like that: perfumed, it hung there on my tongue like a first French kiss…. Then the booze hit my blood, and all my limbs weakened in an utterly delightful way.

“The Low Spark of High Heeled Boys” does the same thing. It hangs there, slowly seeping into all your pores, and then it speeds up and moves you along to the next sip. Keep that simmering buzz going.

Once my sweet brother made me a CD that contained nothing but the song “Smooth” by Santana six times in a row.

“The Low Spark of High Heeled Boys” is the same. It should be on a long lazy loop through your entire weekend. And you should be feeling your beauty as you listen to it, dancing slowly through your kitchen, knowing that it won’t be a gun that makes things better, but the low spark of genius from you, and those high heeled boys.

Can you dig it?

I GOT A WIN!

Thank you, Plants and Poetry, for publishing one of my favorite poems I have ever written, “The Itch.” AND if you click on the link (the photo, or poem name) you can not only read my ode to bad gardening, you can hear ME read it to you! There is an MP4 there you can click on just above the poem’s title.

I love love love writing poetry, but poetry is a hard sell, and my poems are long trailing vining affairs, like “The Itch,” and that makes them an even harder sell to publishers and even readers.

I was extra happy that when my poem was accepted the editor wrote, “This poem is much different than others that have been submitted and I really enjoyed it. I like your voice. I think it will make an excellent addition.” I think my poetry is different than most poems that get published, and I am so glad she appreciated it for its difference.

Usually (and I know a lot of authors don’t like hearing this but) there is a fee to submit a poem anywhere, and journals may be themed, which may mean there is only one poem you have that could hit the mark. That can get to be pricey. And there is a lot of rejection.

The best we can do is try, and try, and try again, and, somehow, all by ourselves, keep our hopes up, which, if you read my poem, “The Itch,” is not that different from gardening.

I have had some other poems published online if you’re curious.

How to Swim Under Water. This one I published myself (I mean, I do run a publishing company, so occasionally the boss lets me sneak one in). Because it is collage and poetry combined, you may (fellow eyeglasses wearers) need to click on it to read it clearly.

Good Dog This poem is brought to you directly by slower lower Delaware, where one sees such things on a much too regular basis.

Jackie Don’t You Go This last one was written about two years ago, and revised and hacked at a bit before publication last year. A poem that has a lot of emotion to express can get so big that you have to chop at it and “smallen” it so it is not completely maudlin dreck. It is about my friend, Jackie B. who died at her own hands before the internet was a thing, so I cannot even check the spelling of her name. She was a bit older than me, and just a lovely human being, both inside, and out. I was envious of her poise, her kindness and calm affect, and her physical beauty. She was independent, and I truly thought she had it all figured out. She had none of it figured out, and, all these years later, I am still trying to come to terms with her actions and the loss of her, and how, for the rest of us, we keep ourselves going when we know that we have none of it figured out.

Well, you ignore the rejections, and you celebrate the wins.

Here’s to you having a win soon. Share it when you do; we need to know people are winning.

IT SHOULD BE LIKE A HALF AN HOUR VOLUME 5

To Love Somebody by The Bee Gees

I grew up on this song.

My dad loved The Bee Gees, and we just passed his birthday. It would have been his 87th? I think so.

My dad was a man’s man, and so were The Bee Gees. Good-looking (more or less) Australian guys, macho culture (at the time), singing a song about a girl not treating him/them like a man, because she is not meeting his/their desires. A bit sexist, yup.

And you can see, in the video, how masculine and confident Barry is. He holds his place at the front of his family in that video. I was very surprised to see that it is actually Maurice hitting those “oh no no!” bits. Maurice died first, and never got a lot of attention, but his voice is flawless, and he sounds just like Barry. Robin was often the lead, did you know that? And from this video it appears that Robin must have had dental work done after they had made some money, because he certainly looked much different by the Saturday Night Fever days.

I think The Bee Gees are often dismissed with the whole “Disco Sucks” thing.

First of all, The Bee Gees do not suck; they were very talented singers, and I have a hard time finding a song by them I don’t like, and my dad felt the same.

Second, and I have to say this, loud and proud, DISCO DOES NOT SUCK.

This song is pre-their disco days, but still.

“Disco sucks,” I think, was a way to push out Black artists and other non-white guy groups who had begun to take a serious bite of the rock market. The Bee Gees, well, most American white guys weren’t afraid of The Bee Gees stealing their women. They dismissed them as effeminate. And I think Disco was dismissed for the same thing, but Disco is awesome, and The Bee Gees are awesome too.

And this song, I can feel the angst in it, sexist or not, and I love it. It’s a simple song, but it digs into the soul with it’s tune, and that elevates this song to one I could hear all day long (and, today, I probably will).

While looking for this song today, I found two more amazing versions of it.

First, Janis Joplin.

Fuck, Janis, Grrrrrrl!. “A volatile vial of nitroglycerin,” reads Dick Cavett. Hell yes. I mean, how did she turn it on every single time? How did she know how to riff so flawlessly? How did her body dance from the waist down, and suffer on the cross from the waist up? Damn I love this version, and I never heard it before today.

And, if you didn’t know this about me, I am a huge Janis fan. If you want to karaoke sometime, I’ll do my “Summertime” for you. I do a pretty terrible Janis impersonation, but I feel it when I do it. Janis, man, the rest of us are just amateurs.

And there is one more version I discovered.

And another musical thing you probably didn’t know about me.

Add this to disco, and I may damage my reputation for being cool.

(Wait, you have a reputation for being cool? Fuck yeah I do. )

I like Michael Buble.

I love his voice.

Most of his songs are sappy, but I love his voice. I think he adds something to Sinatra, and I just wish he sang more songs that were worth his time, and less pap.

His voice is great.

And in this video, not only is his voice great, but he’s even got a little sexy-something going on I don’t usually feel about him. It’s a little bit of Andrew Scott.(fuck me… Andrew Scott….)

And clearly he’s channelling the late-great Robert Palmer in this video, so what’s not to like?

Mmmmmm…. mmm.

Enjoy a little dessert Buble on me.

Can you dig it?